But what catches the eye in Tigmanshu Dhulia's film is Dutt's balance, probably having recently learned to distance himself from stardom. His role is not the main one, and all the better. He is here, unlike his previous films, before the scandal, more humble, giving back to other actors their rights.
And the woman, coming from royalty, can be as brave as cruel as men. In front of a social class that disappears as a last straw and that the director presents in its last jolts, the viewer also becomes the witness of a genre rarely mentioned in the cinema today and which will probably sink into oblivion.
If Tigmanshu observes the commands of the bollywood industry (songs, dances), he does so with an innate sense of rigor and particularly moderation. The photo direction of Amalendu Chaudhary sculpts the bodies (both male and female) with a contagious ecstasy. For a mainstream Indian sdmoviespoint movie, it's rather daring. But it is in the various atmospheres of an intriguing plot that Chaudhary exerts his greatest influence, transforming all these charges of emotion into glaucous atmospheres, sometimes flashy and often destructive. Jimmy Sheirgill surpasses herself in an ambiguous role, facing Dutt, with luminous humility as never before.
https://youtu.be/p2PFt1uS780